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A Swedish garden that stretches from forest to sea

In an extract from his new book The Gardens of Ulf Nordfjell, the landscape architect reveals how he created a scheme to suit the unique conditions of this stretch of the Baltic coastline

A narrow path between the remaining trees gave me the idea for this new forest edge. By adding some small raised areas, I separated the garden from the public footpath that runs past it, and echoing the shape of the dunes made it possible to raise the planting areas and thus prevent the high water table from reaching the plants’ roots. This new, gentle topography created a visual connection to the foreshore.

Early on, I chose to supplement the classic woodland with wild species and also some garden varieties, since the joy of winter and spring-flowering trees that provide interest throughout the seasons cannot be overestimated. I took care to choose varieties with as natural an appearance as possible: different types of viburnum, crab apple, spindle, serviceberry and yew, and – to reinforce the forest edge – hedges of evergreen privet (Ligustrum vulgare var. italicum ‘Atrovirens’).

From the outset, I wanted to create a classic woodland with ground-covering perennials suited to shade. This was not possible, however, because of the maintenance it would require over such a large area. The solution was therefore to use ready-planted carpets of ivy (Hedera helix) and periwinkle (Vinca major), which meant I could cover the ground in the first season, and also contributed to conserving the moisture in the soil. This proved a success, and thus the focus could switch to the beds of perennials close to the main house. After five years the edge of the forest has developed into a multilayered range of plants, forming an excellent windbreak for the old trees behind, and a delight for birds and insects.

Freshwater meets seawater where the stream flows into the Baltic Sea

Jason Ingram

The garden by the sea

On the side facing the sea, the garden is concentrated in the areas closest to the buildings. The beds are covered with fine sand, which provides well-drained, warm surfaces and favourable growing conditions for plants with modest requirements.The garden spreads in a sweeping arc from forest to sea. By responding to the conditions of the landscape, I was able to create a garden that is close to nature and therefore requires only modest maintenance and care. However, the different areas require more knowledge and experience than a traditional garden. In a garden of this kind, which is close to nature, it also becomes clearer how the plants develop over the years. The freshly planted edge of the black alder forest has managed in a short time to establish a varied range of plants that was previously missing.

This is an edited extract from The Gardens of Ulf Nordfjell with photographs by Jason Ingram (£40, Merrell Publishers); nordfjellcollection.se; jasoningram.co.uk